Posts Tagged ‘Fiction’

Spice Up Your Plot

Sunday, December 18th, 2016
Image Credit: http://www.australiangeographic.com.au/outdoor/guides/2010/05/guide-to-insurance-for-adventure-travel

Image Credit: http://www.australiangeographic.com.au/outdoor/guides/2010/05/guide-to-insurance-for-adventure-travel

Sometimes life goes according to plan and everything is awesome and your vague (or incredibly detailed) plot outline pulls together perfectly after months or years of staring at a screen muttering, “I know where they need to go, I just need to get them there.”

Sometimes you finally hit the climax of your novel and it feels very anticlimactic. You’ve written the final reveal — a shootout, a betrayal, a Dave Caruso-esque realization — but it doesn’t feel big. The stakes just aren’t high enough.

Well, before you jump that shark, let the novel sit. You’ve been thinking about it for a while, off-and-on since you started writing. Of course, you know what’s going to happen — you’ve probably also considered several other ways it could go, which can lessen the importance of whatever line you picked. Walk away for a little while. Don’t think about it at all for a bit — a day, a week, until finals are over… Then reread it from the start. This is a novel, not a TV show or movie. The place for small, understated stories is much larger in print than it is on a screen. Don’t amp it up just because a main character always gets shot in the third season of any crime show ever and what could top potentially fatal gunshot wounds? (The answer is a lot. Funerals and weddings, for example.)

At the same time, if you do feel that your stakes need a boost, here are a few things you can add:

  • Kill Off a Character – it doesn’t have to be a drawn-out emotionally fraught death. It can even happen off-page. The aftermath is what’s important. Just keep in mind that deaths have a ripple effect, and every remaining character is going to be affected beyond the climax. Pick a character whose personality logically fits dying in whatever manner you choose. Go back and scatter foreshadowing through the rising action.
  • Throw in a Pregnancy – nothing upends a tense wedding scene/tentative reunion like a nice illicit pregnancy. Pregnant news affects people differently, and, of course, there’s an entire undercurrent of whatever character histories are at play, which can add a layer to the events, such as resentment, concern, anger, angst, etc.
  • Make It A Family Betrayal – if your protagonist is on the verge of solving a mystery (spy, murder, theft, drug cartels, etc), and someone tips off the opposition, add a little family drama. It can be completely blindsiding (and devastating) or somewhat expected (bad family relationships are mines for exposing character flaws). This also makes everything more personal, which is great for adding personal desire vs common desire conflicts.
  • Put a Bomb Under the Table – Alfred Hitchcock used this example to champion suspense over surprise. Say two people are having breakfast, and suddenly, a bomb explodes under the table. The reader is surprised for about fifteen seconds. Now say that a saboteur has planted the bomb under the table, and these two people unwittingly sit down to breakfast. The bomb will go off — oh, it will — but now the reader knows it’s there, and the breakfasters do not. There’s an extra investment of when will it go off and will important things get resolved before it goes off. Clue your readers in before you do the same for your characters. Introduce the danger and risks covertly. The issue with this suspense trick is that it only raises stakes for the reader. The unsuspecting people involved don’t know any better (this is why many pre-World War II stories are both amusing and dully formulaic).

Sidebar:

Of course, these apply to broad, more commercial plots. Your particular novel might not be able to incorporate any of these. In that case, there’s always the option to end the world and then take some characters through the ensuing zombie apocalypse. If you’re feeling particularly uninspired, read some more books and take a crisis from one of them. Or several. Good writers borrow, great writers steal, and so on.

By Robin Yang


Robin Yang was one of the Campus Clipper’s publishing interns, who wrote an e-book on how to write a novel. If you like Robin’s writing, follow our blog for more chapters from this e-book. We have the most talented interns ever and we’re so proud of them! For over 20 years, the Campus Clipper has been offering awesome student discounts in NYC,  from the East Side to Greenwich Village. Along with inspiration, the company offers students a special coupon booklet and the Official Student Guide, which encourage them to discover new places in the city and save money on food, clothing and services.  

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Commencement – Campus Clipper Fiction

Monday, July 8th, 2013

Charlie Wickerson had always been skeptical about the availability of certain attributes within himself that are usually needed to make friends.  Before his embarkation to New York, Charlie never felt the scorn of social loneliness, but to an extent, he knew those who he called friends were just peers only interested in the most superficial and ephemeral qualities of association.  Today, though, Charlie understood the necessity of seizing this opportune time amongst his classmates before it was too late.

 

Together with his blonde and aloof Californian roommate Jackson, Charlie made plans to arrive at the opening ceremony about thirty minutes before the allotted starting time.  The boys agreed upon and stressed the importance of surveying fellow classmates as they streamed into the red-seated auditorium.  They didn’t want to sit bayside while everyone else began university life as emphatically as they had dreamed.

 

“What do you think?” Charlie asked.

 

“I reckon there are some pretty girls to the left,” Jackson said, “down there.”

 

“Well, there are pretty girls all over,” Charlie said, “There are five thousand of us rumbling in here.”

 

“Hell, I don’t know”

 

“Alright,” Charlie said, “Let’s just head down there around the left of the stage.”

 

Charlie and Jackson made their way toward the left-centered area of the auditorium and sat amongst the pretty girls previously marked, who, although they could have only been in the theater for a few minutes, found themselves surrounded by an array of suitors.  What surprised Charlie most were the girls’ radiance, which suggested that were more than delighted to be the spectacle of rows H through K. Perturbed by what they saw, Charlie and Jackson formed nothing more than the outskirts of the insular circle and found themselves only looking with envy toward their peers.  Fortunately for the two boys, they were not the only ones that had not made the cut and began conversing with some others near.

 

“Hi, my name’s Charlie.”

 

“Sam. How are you liking your first days?”

 

“They’ve been decent,” Charlie said, “What are you going to be studying?”

 

“Business and Finance,” Sam said, “What about you?”

 

“I’m not so sure yet,” Charlie said, “How did you know finance was right for you?”

 

“I just wanted to do whatever makes me money.”

 

“Oh, interesting”

 

“You should look into engineering or another STEM degree.” Sam added, “They always have great job prospects.”

 

“I’ll definitely think about it.”

 

Before the words had completely rolled off Charlie’s tongue, the stage’s red curtains were pulled back and the opening ceremony was set to begin.  For the next three hours, Charlie stared at the events without concern or opinion.  He knew he should have just stayed in his dorm

 

Alejandro Font, Student at NYU.

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